skip to main | skip to sidebar

Heidi Daehler

Paintings and Drawings

Wednesday, August 31, 2011


Untitled
Oil on panel
3 x 5 inches
Posted by Heidi Daehler at 11:36 AM

No comments:

Post a Comment

Newer Post Older Post Home
Subscribe to: Post Comments (Atom)

Blog Archive

  • ►  2012 (1)
    • ►  02/26 - 03/04 (1)
  • ▼  2011 (35)
    • ►  11/20 - 11/27 (5)
    • ►  11/06 - 11/13 (5)
    • ▼  08/28 - 09/04 (3)
      • UntitledOil on panel3 x 5 inches
      • P-MOil on canvas36 x 48 inches
      • "Funny man" Oil on canvas4 x 4 inchesSOLD
    • ►  07/31 - 08/07 (4)
    • ►  07/10 - 07/17 (5)
    • ►  06/05 - 06/12 (1)
    • ►  01/30 - 02/06 (5)
    • ►  01/16 - 01/23 (7)
  • ►  2010 (13)
    • ►  12/05 - 12/12 (1)
    • ►  11/28 - 12/05 (5)
    • ►  11/21 - 11/28 (1)
    • ►  11/14 - 11/21 (3)
    • ►  10/17 - 10/24 (1)
    • ►  09/26 - 10/03 (2)
  • ►  2009 (3)
    • ►  09/20 - 09/27 (1)
    • ►  06/28 - 07/05 (1)
    • ►  01/25 - 02/01 (1)
  • ►  2008 (23)
    • ►  12/21 - 12/28 (1)
    • ►  12/07 - 12/14 (3)
    • ►  11/16 - 11/23 (1)
    • ►  09/28 - 10/05 (1)
    • ►  07/20 - 07/27 (1)
    • ►  07/06 - 07/13 (1)
    • ►  06/08 - 06/15 (3)
    • ►  05/18 - 05/25 (1)
    • ►  04/13 - 04/20 (1)
    • ►  02/24 - 03/02 (1)
    • ►  02/17 - 02/24 (2)
    • ►  02/03 - 02/10 (5)
    • ►  01/27 - 02/03 (1)
    • ►  01/20 - 01/27 (1)
  • ►  2007 (38)
    • ►  12/16 - 12/23 (1)
    • ►  11/18 - 11/25 (2)
    • ►  11/04 - 11/11 (1)
    • ►  10/28 - 11/04 (1)
    • ►  08/19 - 08/26 (2)
    • ►  06/17 - 06/24 (31)

About Me

Heidi Daehler
Montreal, Quebec, Canada
www.heididaehler.com
View my complete profile

Artist Statement

The main obsession has been with the act of painting itself. It is the constant research into paints and mediums, brushwork, colour, composition, rendering, and light which fuels my work. As much as I see beauty in technique and harmony, I am content to allow the existence of elements which are purely expressive, awkward, or unsettling. Distortions of form and colour blur the line between reality and fiction. As well, it is sometimes unclear which part of a painting is abstract, and which is figurative. Viewing distance, scale, and imagination affect how we interpret these illusions. The meaning of a specific work or series evolves over time. My way of working involves observation, intuition, and feeling. A painting often begins with a slightly random choice of personal or found images. I choose images that I connect with on a certain level. The story develops with the process of image making.


Artist Friends

  • The Long Haul/Le Corrid'Art
  • William Landry
  • Kaya Reiss